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About Greyscape

Greyscape celebrates Brutalist, Modernist and Constructivist architecture. We bring you a carefully considered edit of the best examples of those designs from around the world.

Greyscape was born out of a passion for under-appreciated 20th Century design. Originally launched in 2016 as a passion project an Instagram account, our audience grew fast, with thousands sharing a similar interest in game-changing buildings. We now have an unrivalled position as a crowdsourced archive of little and well-known architecture. Greyscape is a destination where everyone can learn, share and interact with the very best in Brutalism, Modernist and Constructivist design.

We stand with all our friends, our family and all the people of Ukraine and its democratically elected government.

A place to explore Brutalism, Modernism, Constructivism and the concrete world.

GreyScape exploring brutalism, modernism and constructivism

NEWS From The Concrete Community

Eileen Gray's villa E-1027 at Cap Moderne, Roquebrune, France

Eileen Gray’s Villa E-1027

Look at the near-forgotten architect who aroused Le Corbusier’s envy

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Ernö Goldfinger’s Forgotten Nursery: A Modernist Vision for Childhood

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Lacket

New Brutalists’ “Japanese” Pavilions: The Smithsons and Theo Crosby

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Blue sky moment, Barbican, City of London

Blue sky moment, Barbican, City of London

The back yard, Villa Empain, Brussels. Image Lizuk

The back yard, Villa Empain, Brussels. Image Lizuka • CC BY-SA 4.0

Art deco detail: this is the front door of Villa E

Art deco detail: this is the front door of Villa Empain a glorious Art Deco mansion in Brussels. Built between 1930 and 1934 for Baron Louis Empain, a wealthy Belgian industrialist. The architect was Michel Polak who was said in the execution of the design to ‘combine Bauhaus and Art Deco influences.

Originally a private family home. After a yachting accident in July 1936 Empain vowed to change his life, sold his two castles, renounced his title and focused his endeavours on improving the lot of others, particularly young people through the medium of sport and outdoor activities, ‘without regard to any distinctions of class, race or religion’. In 1937 the villa was gifted to the Belgian government. After the war the government having used the villa in a variety of ways with some success. Inexplicably it was allowed to fall into disrepair. In 2000, the Boghossian Foundation acquired and restored the villa, today a cultural and art centre. Image Sally CC BY-SA 4.0

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